It has fourteen lines, which are organised in a particular manner, usually characterised by the pattern of rhyming, which changes as the ideas in the poem evolve. Housman offers a somewhat less sanguine view of the sunset.
So, the speaker has given the reader a clear picture of the world. Why do men then now not reck his rod?
And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah!
And in what sense?
Form This poem is an Italian sonnet—it contains fourteen lines divided into an octave and a sestet, which are separated by a shift in the argumentative direction of the poem.
But, as always with Gerard Manley Hopkins, the joy is in how he chooses to say it. AudenDylan Thomasand Charles Wright have enthusiastically turned to his work for its inventiveness and rich aural patterning. So, the speaker has given the reader a clear picture of the world. This seems almost a contradictory image: He regularly placed familiar words into new and surprising contexts.
He spent nine years in training at various Jesuit houses throughout England.
Subject Sonnets are usually all about love and romance and relationships between people, lovers and so forth. But, Hopkins being Hopkins, he takes the reader deep into the image with a brilliant specific detail.
Here, though, the poem succeeds. Typically, the Petrarchan sonnet poses a problem in the octave and presents a resolution in the sestet. An unusual repeated iambic beat occurs in line 5 where have trod, have trod, have trod enhances the idea of many feet plodding.
We need to understand this is the landscape of Hopkins' own spirituality. It has fourteen lines, which are organised in a particular manner, usually characterised by the pattern of rhyming, which changes as the ideas in the poem evolve.
The obvious interconnectedness of internal rhyme, the mixed rhythm at odds with the regular iambic beat, create an ebb and flow that disrupts, leaving the reader uncertain as to where the next line will take them. Hopkins poses the problem of the human response to the beauty of nature, as created by God.
Hopkins himself wrote in a letter: Lines 5 - 8 The next four lines are in some ways an answer to the question.
Why of line 4. Line six continues the theme of nature being despoiled by the behaviour of humans. And in what sense? This sonnet form has two parts, the initial eight lines, or the octave rhymed abba, abbaand the concluding six lines, or sestet which here uses the rhyme scheme cd, cd, cd.God's Grandeur is an Italian or Petrarchan sonnet, being split into an octave (8 lines) and a sestet (6 lines).
The octave and sestet are end rhymed and the rhyme scheme is: abbaabba cdcdcd.
Traditionally the octave is a proposal or introduction, of an argument or idea, and the sestet then becomes the development of, or conclusion to, the octave. God’s Grandeur by Gerard Manley Hopkins. Home / Poetry / God’s Grandeur / Literary Devices / Symbols, Imagery, Wordplay ; Literary Devices / The first stanza of the poem can be a bit of a downer.
Luckily, the problems seem to lie of the surface of the earth, and the surface of the people who live on it. Essay on Analysis of Hopkin's Poem "God's Grandeur" Words May 12th, 6 Pages Gerard Hopkins wrote God's Grandeur in right around the time he was ordained as a priest. God's Grandeur - The world is charged with the grandeur of God.
Below is the poem, followed by a brief analysis of some of its themes and linguistic features. The world is charged with the grandeur of. Get an answer for 'What are some poetic devices used in the poem "God's Grandeur"?Please refer to the poem for evidence.' and find homework help for other God's Grandeur questions at eNotes.Download